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Choose the special features for this product

If you want to order a product with specific features, please make your choice:

String Type

Standard Metalic Medina Artiga-1240 (+$16.83) Nylon Medina Artiga - 1230 (+$14.53)

Equalizer:

None PICK UP (+$36.00) ARTEC FS-4 (+$99.00) ARTEC ASE-N (+$114.00) ARTEC AGE-7 (+$165.00) ARTEC HT-G (+$178.00)

Hanger and fitting button:

None Hanger and fitting button (+$14.99)

Hardcase or softcase:

None Awayo softcase (+$16.60) Canvas softcase 1 (+$20.00) Classic hardcase (+$56.00) Aluminium hardcase (+$99.00) Awayo hardcase (+$56.00) Hardcase - Awayo Detail (+$52.00) Hardcase A model (+$56.99) Charango - quena case (+$59.00) Canvas softcase 2 (+$24.15) Semi rigid case (+$75.00)

Characteristics:
Sound box: Half board Canadian Pine and Jacaranda
Finger board: Jacaranda
Type of wood: One piece Naranjillo
Sound hole: Three holes
Strings: Nylon 1240
Tuning pins: Metallic
Bridge: Bone frets
Scale: 37. 5
Tuning: Mi 4. 40
Frequency: 4. 40 Hz
General Features: Mauro Nuñez model

Approx. size
Length: 66 cm (25. 98")
Width: 18 cm (7. 08")

There are many stories of how the charango came to be made with its distinctive diminutive sound box of armadillo. One story says that the native musicians liked the sound the vihuela ( an ancestor of the Classical Guitar) made, but lacked the technology to shape the wood in that manner. Another story says that the Spaniards prohibited natives from practicing their ancestral music, and that the charango was a (successful) attempt to make a lute that could be easily hidden under a garment. It is believed the charango originated in the 18th century Andes somewhere in modern-day Potosí, Bolivia, probably from Amerindian contact with Spanish settlers"